{"id":26641,"date":"2024-11-04T22:37:25","date_gmt":"2024-11-04T21:37:25","guid":{"rendered":"https:\/\/magazine.luxus-plus.com\/quincy-jones-the-legendary-producer-and-arranger-composer-takes-his-leave\/"},"modified":"2024-11-05T01:05:41","modified_gmt":"2024-11-05T00:05:41","slug":"quincy-jones-the-legendary-producer-and-arranger-composer-takes-his-leave","status":"publish","type":"post","link":"https:\/\/magazine.luxus-plus.com\/en\/quincy-jones-the-legendary-producer-and-arranger-composer-takes-his-leave\/","title":{"rendered":"Quincy Jones, the legendary producer and arranger-composer, takes his leave"},"content":{"rendered":"<div class=\"initial-letter\"><p>Michael Jackson&#8217;s legendary producer, trumpeter and groove arranger-composer Quincy Jones passed away on Sunday, November 3, at the age of 91. A true music legend with no fewer than 70 Grammy Award nominations (including 27 titles), Quincy Jones leaves a rich heritage of sound and brass at the crossroads of musical genres.<\/p>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p>\u201cJust you and nothing else&#8230; You and nothing else\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p>It was<b><strong> on June 27, 2019<\/strong><\/b> that<b><strong> Quincy Jones<\/strong><\/b>&#8216; most personal and famous hit, Ai No Corrida (1981), resounded at the<b><strong>Accor Arena<\/strong><\/b>.<\/p>\n<p>&nbsp;<\/p>\n<p>An all-brass track performed by a symphony orchestra in the presence of the artist himself, who was determined to celebrate <b><strong>70 years of a career<\/strong><\/b> marked by encounters, discoveries and hits that have left an indelible mark on several generations.<\/p>\n<p>&nbsp;<\/p>\n<p>The array of prestigious guests present that evening was a reflection of his life, whose<b><strong> address book was an authentic Who&#8217;s Who of the American music industry over seven decades<\/strong><\/b>: Ray Charles, Lionel Hampton, Aretha Franklin, Frank Sinatra, Sarah Vaughan, Miles Davis, Barbra Streisand, Michael Jackson&#8230;<\/p>\n<p>&nbsp;<\/p>\n<p><b><strong>A life lived at a hundred miles an hour, which came to an end on November 3, 2024 in Los Angeles.<\/strong><\/b> <b><strong>He was 91 years old.<\/strong><\/b><\/p>\n<p>&nbsp;<\/p>\n<h2><b>Gangster seed<\/b><\/h2>\n<p>&nbsp;<\/p>\n<p>Yet <b><strong>nothing predestined Quincy Delight Jones to become \u201cMr. Q\u201d<\/strong><\/b>, <b><strong>a respected authority figure capable of channeling the egos of pop, rock and jazz superstars<\/strong><\/b> such as Michael Jackson, Bob Dylan and Miles Davis.<\/p>\n<p>&nbsp;<\/p>\n<p><b><strong>Born in 1933 in Chicago<\/strong><\/b>, the capital of American crime in the <b><strong>final days of Prohibition<\/strong><\/b>, he had every reason to end up badly. His <b><strong>violent father<\/strong><\/b> was directly<b><strong> linked to the Jones Boys gang, a rival gang to the godfather of godfathers at the time, a certain Al Capone<\/strong><\/b>, who had been convicted of tax fraud two years earlier.<\/p>\n<p>&nbsp;<\/p>\n<p>Following a serious schizophrenic attack, his <b><strong>mother<\/strong><\/b> was eventually <b><strong>committed to a psychiatric hospital<\/strong><\/b>. <b><strong>When he was eleven, his father filed for divorce and decided to escape the mob, fleeing with him to Bremerton, Washington, before migrating to Seattle.<\/strong><\/b><\/p>\n<p>&nbsp;<\/p>\n<p>He immediately made the<b><strong> unexpected encounter<\/strong><\/b> <b><strong>that would<\/strong><\/b> change his life forever and <b><strong>save him from the temptation of a career in the Mafia: that with a piano<\/strong><\/b>. When he heard the first notes in a village hall, it<b><strong>clicked<\/strong><\/b>:<em> \u201cWhen I touched it, every cell in my body told me this is what I&#8217;m going to do for the rest of my life,<\/em> \u201d Quincy Jones told The Hollywood Reporter.<\/p>\n<p>&nbsp;<\/p>\n<h2><b>A pioneer in the music industry<\/b><\/h2>\n<p>&nbsp;<\/p>\n<p>From that moment on, <b><strong>Quincy Jones was a self-taught musician, starting with the piano<\/strong><\/b>. A teacher noticed his interest and gave him music theory lessons in exchange for babysitting his children. <b><strong>Next came the trombone and then the trumpet<\/strong><\/b>, which soon became <b><strong>his instrument of choice<\/strong><\/b>. In this field, he learned a sense of rhythm from <b><strong>his \u201cteachers\u201d Clark Terry<\/strong><\/b>, approached with a certain amount of nerve during the high school marching band<b><strong>, and Duke Ellington<\/strong><\/b>. Quincy was also part of a semi-professional orchestra led by Bumps Blackwell.<\/p>\n<p>&nbsp;<\/p>\n<p><b><strong>Scouring the clubs around him, he played alongside Ray Charles<\/strong><\/b>, two years his junior, with whom he shared his years of hardship and who was to become a lifelong friend. He&#8217;ll never forget those days when food ran short, forcing him to eat grilled rat, or the cold of his apartment numbed his limbs.<\/p>\n<p>&nbsp;<\/p>\n<p>It was <b><strong>during this period<\/strong><\/b> that<b><strong>he crossed paths with two music legends<\/strong><\/b> whom he would later produce: <b><strong>Aretha Franklin and Stevie Wonder<\/strong><\/b>. He also joined <b><strong>Lionel Hampton&#8217;s orchestra.<\/strong><\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b><strong>When he came of age, he won a scholarship to the Schillinger House<\/strong><\/b> in Boston, Massachusetts, which became the prestigious Berklee School of Music in 1958.<\/p>\n<p>&nbsp;<\/p>\n<p><b><strong>A year later, he was in New York, working with Count Basie, Tommy Dorsey and Dinah Washington.<\/strong><\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b><strong>In 1957, he landed a job with the Barclays label during a trip to Paris<\/strong><\/b>. With in-house training, <b><strong>for two years he supervised recording sessions for artists such as Jacques Brel and Charles Aznavour<\/strong><\/b>. He <b><strong>made several visits to<\/strong><\/b> pianist, conductor, composer and teacher<b><strong> Nadia Boulanger<\/strong><\/b> <b><strong>to perfect his string writing, harmony and analysis of classical works<\/strong><\/b>, before returning to the United States.<\/p>\n<p>&nbsp;<\/p>\n<p>Impressed by his work in Paris and his background in jazz,<b><strong> the American label Mercury Records made him its vice-president<\/strong><\/b>. In 1961, he became the <b><strong>first African-American to hold an executive position in the music industry<\/strong><\/b>. That same year, he scored his <b><strong>first major pop success<\/strong><\/b>, producing Leslie Gore&#8217;s <em>It&#8217;s My Party<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><b><strong>Three years later, he concentrated on arranging and conducting<\/strong><\/b>, forging close ties with Dizzy Gillespie and especially Frank Sinatra. <b><strong>In 1969<\/strong><\/b>, during his moon landing, <b><strong>astronaut Buzz Aldrin listened to <\/strong><em><strong>Fly me to the moon<\/strong><\/em><\/b>, the crooner&#8217;s signature hit.<\/p>\n<p>&nbsp;<\/p>\n<h2><b>Producer of the best-selling album of all time<\/b><\/h2>\n<p>&nbsp;<\/p>\n<p><b><strong>In 1978<\/strong><\/b>, <b><strong>Quincy Jones met <\/strong><\/b> <b><strong>Michael Jackson<\/strong><\/b> after filming The Wiz, a musical comedy adaptation of The Wizard of Oz. <b><strong>The latter wanted to break away from the Motown label<\/strong><\/b> for his<b><strong> fifth solo album<\/strong><\/b>.<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cMr Q\u201d became a household name with the man who soon became <b><strong>the King of Pop through his solo career<\/strong><\/b>. He produced no less than <b><strong>three<\/strong><\/b> of the moonwalker <b><strong>&#8216;s best albums<\/strong><\/b>: <b><em><strong>Off The Wall<\/strong><\/em> (<strong> 1979), <\/strong><em><strong>Bad<\/strong><\/em> (<strong> 1987) and, above all, <\/strong><em><strong>Thriller<\/strong><\/em> (<strong> 1982<\/strong>)<\/b>.<\/p>\n<p>&nbsp;<\/p>\n<p>This last album, containing the eponymous hit with its frenzied rhythm and mythical horrific video, became <b><strong>the best-selling album in history, selling 70 million copies<\/strong><\/b>. The legendary opus earned him the <b><strong>title of Producer of the Year 1981, as well as Album of the Year<\/strong><\/b>!<\/p>\n<p>&nbsp;<\/p>\n<p><b><strong>Another record<\/strong><\/b> is that of<b><strong>one of the best-selling singles of all time (over 20 million copies)<\/strong><\/b> with <b><em><strong>We are the world<\/strong><\/em><\/b>, produced by USA for Africa, a charity group involving almost all the big names in the American music industry in the eighties to fight famine in Ethiopia.<\/p>\n<p>&nbsp;<\/p>\n<p><b><strong>In 1962<\/strong><\/b>, Quincy Jones had released an album, Big Band Bossa Nova, with the famous title \u201cSoul Bossa Nova\u201d. In 1981, his evolution transpired in <b><strong>an album with more disco and funk sounds: The Dude (1981)<\/strong><\/b>. It includes his<b><strong> biggest personal hit, <\/strong><em><strong>Ai No Corrida<\/strong><\/em><\/b>, and the song chosen by the Man in Black, Thierry Ardisson, to mark the end of his Salut les Terriens show, <em>Razzamatazz<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><b><strong>Quincy Jones is also the creator of numerous songs: in addition to <\/strong><em><strong>Fly me to the moon<\/strong><\/em><strong>, his hits include <\/strong><em><strong>Billie Jean<\/strong><\/em><strong>, <\/strong><em><strong>Beat it<\/strong><\/em><strong> and <\/strong><em><strong>You don&#8217;t own me<\/strong><\/em><strong>.<\/strong><\/b><\/p>\n<p>&nbsp;<\/p>\n<p>He was also called upon <b><strong>more than 30 times<\/strong><\/b> by<b><strong>the cinema<\/strong><\/b>: Quincy Jones wrote the <b><strong>soundtracks<\/strong><\/b> for Steven Spielberg&#8217;s <b><em><strong> The Color Purple<\/strong><\/em><\/b> (1986), Norman Jewison&#8217;s <b><em><strong>In the Heat of the Night<\/strong><\/em><\/b> (1967), <b><em><strong>The Wiz<\/strong><\/em><\/b> (1978) and Sidney Lumet&#8217;s <b><em><strong>The Pawnbroker<\/strong><\/em><\/b> (1964).<\/p>\n<p>&nbsp;<\/p>\n<p>With<b><strong> 27 Grammy Awards over the course of his career<\/strong><\/b>, <b><strong>Quincy Jones is hot on the heels of conductor Georg Solti<\/strong><\/b> (31 wins) <b><strong>and singer Beyonc\u00e9<\/strong><\/b> (32 wins).<\/p>\n<p>&nbsp;<\/p>\n<p>Read also &gt; <a href=\"https:\/\/magazine.luxus-plus.com\/en\/charles-aznavour-eternal-glory-after-a-rocky-start\/\">Charles Aznavour, eternal glory after a rocky start<\/a><\/p>\n<p>Featured Photo: \u00a9 Jason LaVeris\/FilmMagic<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Michael Jackson&#8217;s legendary producer, trumpeter and groove arranger-composer Quincy Jones passed away on Sunday, November 3, at the age of 91. A true music legend with no fewer than 70 Grammy Award nominations (including 27 titles), Quincy Jones leaves a rich heritage of sound and brass at the crossroads of musical genres.<\/p>\n","protected":false},"author":507,"featured_media":26638,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"%%post_title%% %%sep%% %%sitetitle%%","_seopress_titles_desc":"The undisputed master of groove and legendary producer of Michael Jackson, Quincy Jones passed away on November 3, 2024 at the age of 91.","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"none","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[670,2],"tags":[],"class_list":["post-26641","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portrait-en","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/magazine.luxus-plus.com\/en\/wp-json\/wp\/v2\/posts\/26641","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazine.luxus-plus.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazine.luxus-plus.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazine.luxus-plus.com\/en\/wp-json\/wp\/v2\/users\/507"}],"replies":[{"embeddable":true,"href":"https:\/\/magazine.luxus-plus.com\/en\/wp-json\/wp\/v2\/comments?post=26641"}],"version-history":[{"count":0,"href":"https:\/\/magazine.luxus-plus.com\/en\/wp-json\/wp\/v2\/posts\/26641\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazine.luxus-plus.com\/en\/wp-json\/wp\/v2\/media\/26638"}],"wp:attachment":[{"href":"https:\/\/magazine.luxus-plus.com\/en\/wp-json\/wp\/v2\/media?parent=26641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazine.luxus-plus.com\/en\/wp-json\/wp\/v2\/categories?post=26641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazine.luxus-plus.com\/en\/wp-json\/wp\/v2\/tags?post=26641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}